PureRangeFinder Gallery

Portland OR, Pearl District

I did not realise I had to update the EXIF, I am so used to not worrying about the 6-Bit Coding. The actual lens used was my 'trusty' Voigtlander Ultra-Wide-Heliar 12mm f/5.6 Aspherical Version 2

Today I thought I would try something new. I am using the K&F Concept F to M adapter and trying some real "Vintage" glass on the M11

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

Leica M4, Elmer 50mm f/3.5 LTM

People often complain about the size of this lens. In my opinion, there is nothing wrong with the size of the zeiss 35 1.4 zm. Yes, it's slightly bigger than the Leica 35 fle. But the results outweigh any other drawback. Simply put, this 35 distagon is the best 35 you can put on any M camera.

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

A magic dawn moment, the 35mm Summicron was the ideal focal length, exposure based on a reading off the snow near to the walls in shadow.

Start Married Life As You Mean To Go On!

my GIFT Voigtlander BESSAMATIC with 50mm f2.8 Color-Skopar lens

My GIFT VOIGTLANDER BESSAMATIC with 50mm f2.8 Color-Skopar lens

My GIFT VOIGTLANDER BESSAMATIC with 50mm f2.8 Color=Skopar lens

My GIFT VOIGTLANDER BESSAMATIC wiyth 50mm f2.8 Color-Skopar lens

My GIFT Voigtlander BESSAMATIC with 50mm f2.8 Color=Skopar lens not in data base

Byng's Court, Cosham

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

The Netherlands

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

This time focus was on the ear edge.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

Shot wide open at f1.2. I personally believe this lens performs better than the Leica reissue asph 1.2 Noctilux. Focus was on eye.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

Shot wide open at f1.2. I personally believe this lens performs better than the Leica reissue asph 1.2 Noctilux. Focus was on eye.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

Using Nik Silver Efex