PureRangeFinder Gallery

What life in Oregon is all about. ( When not raining ). A day on the trail heading up to McNeil point on Mt Hood.

I have loved the 35 Distagon ZM. But it is now becoming my goto lens for just about any situation. I absolutely love this lens!

Taken with my 1956 AGFA ISOLETTE III with Compur Shutter and 75mm f3.5 SOLINAR lens at Hastings in England

Taken with my 1956 AGFA ISOLETTE III with Compur Shutter and 75mm f3.5 SOLINAR lens at Hastings in England

Comparing to the 50mm 1.0 Nokton. This is shot at f1.4 Wide open. As you cam see, with no aperture blades in the path, the results are smooth edge bokeh balls.<br />
Here is the Nokton version:<br />
<a href="https://www.purerangefinder.com/photo/6000309-Rangefinder-photo" target="_blank">https://www.purerangefinder.com/photo/6000309-Rangefinder-photo</a>

Portland OR, Pearl District

I did not realise I had to update the EXIF, I am so used to not worrying about the 6-Bit Coding. The actual lens used was my 'trusty' Voigtlander Ultra-Wide-Heliar 12mm f/5.6 Aspherical Version 2

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

The entrance to Great Central in Birmingham contains panels in which fascinating reflections make strange images.

Leica M4, Elmer 50mm f/3.5 LTM

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

Above Birmingham New Street Station is a striking, organic roof structure to the foyer of the station.

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

colour Testing my 50mm f2 Summitar

A magic dawn moment, the 35mm Summicron was the ideal focal length, exposure based on a reading off the snow near to the walls in shadow.

Start Married Life As You Mean To Go On!

my GIFT Voigtlander BESSAMATIC with 50mm f2.8 Color-Skopar lens

My GIFT VOIGTLANDER BESSAMATIC with 50mm f2.8 Color-Skopar lens

My GIFT VOIGTLANDER BESSAMATIC with 50mm f2.8 Color=Skopar lens

My GIFT VOIGTLANDER BESSAMATIC wiyth 50mm f2.8 Color-Skopar lens

My GIFT Voigtlander BESSAMATIC with 50mm f2.8 Color=Skopar lens not in data base

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

Voigtlander BESSAMATIC Gift Camera

The Netherlands

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

This time focus was on the ear edge.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

I looked at some of my apo lanthar photos at f2 and wanted to see how well this Nokton 1.2 II performed at f2 compared to the apo lanthar.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.

Shot wide open at f1.2. I personally believe this lens performs better than the Leica reissue asph 1.2 Noctilux. Focus was on eye.

These are straight out of camera jpeg with Monochrome high contrast setting applied in camera.